Ordre profond

The ordre serré and the ordre profond were two ways of grouping soldiers.

Ancient origins
Historically, the ordre serré was the way of assembling soldiers in units during a battle or on the march. It is particular to infantry troops, originating in the Greek phalanx formation. Such grouping of men orientated their arms and their efforts to attack in the same direction and, combined with the hoplites' morale and cohesion (reassured as they were by their comrades' proximity), allowed them to defeat larger but less organised armies (as at the Battle of Marathon).

It was also taken up by the Kingdom of Macedon and in the Hellenistic armies before also being used by the Roman legions and the Germans (who fought, in the French term, "en coin", or "in a corner").

Return of the ordre serré in the Renaissance
Grouping men in this way, as well as the use of the pike returned at the Renaissance (Flanders and Swiss mercenaries) to face royal armies with a strong tradition of heavy cavalry (France at the battles of Courtrai and Burgundy at Grandson then Morat). Also, Machiavelli (Discourses on Livy) theorised on the use of long pikes to arm the city militias of the small merchant states of Northern Italy (in some of which the beginnings of a citizen-body were apparent). The ordre serré was also used by all the armies of the Thirty Years' War (notably the German mercenaries) even when they were transformed into composite formations with arquebusiers, such as the Spanish Tercio.

Industrial warfare
Until the middle of the 19th century, the order and the massed impact of a column in "ordre serré" held the key to victory. The order "Serrez les rangs !" was thus the main order to marching units to give battle to the enemy despite their losses.

Then the development of firearms and cannon made definitive changes to battle formations - from then on, "firepower kills" was the order of the day. It decimated the columns of the Crimean War, the American Civil War and the Franco-Prussian War.

From then on, the ordre serré was only used for riot control (CRS and Gendarmerie mobile), or to order and move large bodies of men, or for parades (notably that on Bastille Day).

Concepts
In the 18th century, a fierce debate arose among tacticians, some backing the ordre serré and some backing the ordre profond. Infantry fighting thus based itself on two concepts :
 * Shock or weight (choc) which put the emphasis on fighting "corps à corps" to physically disorganise the opposing units due to their losses and due to their being hit in a way to break up their formation
 * Firepower (feu), which emphasised losses by salvo firing to cause a demoralising level of losses in the opposing unit, with the view to their retreating in disorder

The English preferred the "ordre mince" (thin order) and had even developed salvo firing by sections, which allowed a group of men to (on each volley) create a gap in the opposing formation. Less professional armies used salvoes in line-formation, with three ranks (having one rank fire while the other two reloaded). The losses to each salvo were divided up amongst the mass of the opposing unit, and thus had a less damaging effect on morale than fire by section.

The French armies of the 18th and early 19th centuries placed a significant amount of emphasis on the ordre profond, in part to counter the success of the English and Prussian "ordre mince". The ordre profond was also appealing in that, at least on paper, it would cure the problems with desertion, decisiveness, and systematizing that the French had experienced throughout the 18th century, particularly in the 7 Years War.

The ordre profond, with its roots symbollically in the Roman legion and the Greek phalanx, also had a degree of romantic appeal. Depictions of French soldiers as the hoplites holding pikes rather than muskets were common.

Most important for the development of the ordre profond in 18th century France was the belief in the universal principles of war. Many tacticians believed that warfare could be conducted according to rules as applicable in contemporary society as they were in antiquity. Thus, many writers rejected technological change as a reason to change battlefield tactics, emphasizing the importance of depth and shock over firearms. This belief continued into the 19th century, and arguably beyond

Formations
Different formations arose due to new technologies on the battlefield and new concepts as to their use:
 * the column (ordre profond) : the first formation to arise, it favoured shock thanks to the number of ranks which would hit the opposing front-rank in a charge. This formation allowed the fastest movements, but was fragile in the face of firepower and bombardment.
 * the line (ordre mince) : favouring firepower, it allowed the largest number of men to fire on the enemy force. It was fragile to shock, not very mobile, and could be easily broken by a shock attack or by cavalry.
 * mixed formation (ordre mixte) : Intermediate solution, alternating between columns and lines along the front rank so as to benefit from the advantages of both firepower and shock.
 * the square : Line drawn-up in the form of a square, allowing it to face attacks from any direction. Squares were used by infantry to resist cavalry attacks.

Gather/disperse
<!--- ne se dit plus la colonne couvré est automatique des qu'il y a rassemblement en colonne
 * "Front rank, to me" ("Homme de base, à moi") : the unit's commander gathers those in the front rank to him with a view to re-assembling the unit.
 * "Form columns by three, in 3 ranks!" ("Rassemblement en colonnes par 3, sur 3 rangs.. !") : the section commander orders the section to form ranks behind the front rank.
 * "En colonne, couvrez" : lorsque l'unité est au garde à vous et constituée en colonne, all the left-most elements of the column (column of front rank men) tendent le bras gauche et prennent la distance d'un bras par rapport à l'élément situé devant, tandis que les premiers éléments des autres colonnes plient le coude gauche et posent leur poing sur la hanche pour prendre la distance d'une coudée par rapport à l'élément situé à leur gauche, tout en tournant la tête vers la gauche.
 * "Coude à coude à droite alignement" : le premier rang plie le coude gauche et pose le poing sur la hanche.
 * "Fixe" : l'unité se remet au garde à vous en claquant le bras gauche et ramenant le regard vers l'avant.
 * "Rompez les rangs" : En rangs, l'unité salue ou présente les armes en poussant un cri de section ou de peloton et se disperse.

Mouvements de pied ferme

 * "A gauche... gauche !" : Tous les éléments de l'unité constitué font un quart de tour simultané vers la gauche. Au son de l'ordre de préparation (A gauche....), chacun se prépare à pivoter en soulevant simultanément de quelques millimètres les orteils du pied gauche et le talon du pied droit. Au son de l'ordre d'exécution (gauche !), chacun pivote en prenant appui sur son talon gauche et ses orteils droits. Le pied droit vient alors rejoindre le pied gauche en frappant le sol du talon.
 * "A droite... droite !" : même chose que précédemment, inverser droite et gauche.
 * "Demi-tour ... droite !" : Ordre exécuté en trois temps. Premier temps : chaque élément recule le pied droit et l'oriente vers l'extérieur. Deuxième temps : chacun pivote sur ses talons et fait un demi-tour en se tournant sur sa droite. Troisième temps : chacun ramène son pied droit à hauteur du pied gauche en frappant le sol du talon. Le demi-tour gauche n'existe pas.

Mouvements de déplacement
--->
 * "En avant... Marche !" : Au son de l'ordre d'exécution, l'unité lève le pied gauche comme un seul homme et commence à marcher au pas cadencé. Le rythme est donné par les "Un, deux, un, deux..." du commandant de l'unité, qui suit le rythme donné par l'homme de base, ordres synchronisés avec la frappe du sol du talon gauche des éléments de l'unité. La prononciation est très souvent déformée pour retentir de façon plus sonore. A noter que "Gauche, droite..." n'existe pas dans l'armée française.
 * "Une fois à droite (ou à gauche)... Marche !" : tout en se déplaçant, l'unité va pivoter sur l'homme de droite de manière à ce que l'unité se retrouve orrientée vers la droite. Durant cette manoeuvre, tout les éléments arrêtent de balancer les bras et les gardent le long du corps. Le balancement reprend à l'initiative de l'homme de base, quand toute l'unité a tourné.
 * "Deux fois à droite (ou à gauche)... Marche !" : même manoeuvre sauf que le pivot est de 180° au lieu de 90°.
 * "Une (ou deux) fois à droite (ou à gauche) en partant... Marche !" : même manoeuvres que les précedentes si ce n'est que l'unité est à l'arrêt et se met en marche à l'ordre exécutoire.
 * "Marquez le pas.... marche !" : A l'ordre préparatoire, l'unité raccourcit le pas mais garde la cadence. A l'ordre d'exécution, l'unité piétine sur place, sans accélérer le pas (ce qui est le plus difficile à maîtriser, la tendance étant d'accélérer la cadence quand on n'avance plus).
 * "Section... (peloton, company...) ... Halt !''" : A l'ordre d'exécution sur le pied droit, l'unité exécute encore un pas puis ramène le pied droit contre le pied gauche en faisant claquer le talon au sol.