Macbeth, King of Scotland

Mac Bethad mac Findlaích (Modern Gaelic: MacBheatha mac Fhionnlaigh, anglicised as Macbeth, and nicknamed Rí Deircc, "the Red King"; died 15 August 1057) was King of the Scots (also known as the King of Alba, and earlier as King of Moray and King of Fortriu) from 1040 until his death. He is best known as the subject of William Shakespeare's tragedy Macbeth and the many works it has inspired, although the play presents a highly inaccurate picture of his reign and personality.

Etymology
The name Mac Bethad (or, in modern Gaelic, MacBheatha), from which the anglicized "MacBeth" is derived, means "son of life". Although it has the appearance of a Gaelic patronymic it does not have any meaning of filiation but instead carries an implication of "righteous man" or "religious man". An alternative proposed derivation is that it is a corruption of macc-bethad meaning "one of the elect".

Royal ancestry
Some sources make Macbeth a grandson of King Malcolm II and thus a cousin to Duncan I whom he succeeded. He was possibly also a cousin to Thorfinn the Mighty, Earl of Orkney and Caithness. Some historians claim, however, that Macbeth was Thorfinn's half-brother rather than his cousin. Much depends on whether Malcolm had three daughters or only two (one of whom married twice) – a point which is likely to remain uncertain.

Mormaer and dux
When Cnut the Great came north in 1031 to accept the submission of King Malcolm II, Macbeth too submitted to him: "... Malcolm, king of the Scots, submitted to him, and became his man, with two other kings, Macbeth and Iehmarc ..." Some have seen this as a sign of Macbeth's power, others have seen his presence, together with Iehmarc, who may be Echmarcach mac Ragnaill, as proof that Malcolm II was overlord of Moray and of the Kingdom of the Isles. Whatever the true state of affairs in the early 1030s, it seems more probable that Macbeth was subject to the king of Alba, Malcolm II, who died at Glamis, on 25 November 1034. The Prophecy of Berchan, apparently alone in near contemporary sources, says Malcolm died a violent death, calling it a "kinslaying" without actually naming his killers. Tigernach's chronicle says only: "Máel Coluim son of Cináed, king of Alba, the honour of western Europe, died."

Malcolm II's grandson Duncan (Donnchad mac Crínáin), later King Duncan I, was acclaimed as king of Alba on 30 November 1034, apparently without opposition. Duncan appears to have been tánaise ríg, the king in waiting, so that far from being an abandonment of tanistry, as has sometimes been argued, his kingship was a vindication of the practice. Previous successions had involved strife between various rígdomna –  men of royal blood. Far from being the aged King Duncan of Shakespeare's play, the real King Duncan was a young man in 1034, and even at his death in 1040 his youthfulness is remarked upon.

Because of his youth, Duncan's early reign was apparently uneventful. His later reign, in line with his description as "the man of many sorrows" in the Prophecy of Berchán, was not successful. In 1039, Strathclyde was attacked by the Northumbrians, and a retaliatory raid led by Duncan against Durham in 1040 turned into a disaster. Duncan survived the defeat, but the following year he led an army north into Moray, Macbeth's domain, apparently on a punitive expedition against Moray. There he was killed in action, at Bothnagowan, now Pitgaveny, near Elgin, by the men of Moray led by Macbeth, probably on 14 August 1040.

High King of Alba
On Duncan's death, Macbeth became king. No resistance is known at that time, but it would have been entirely normal if his reign were not universally accepted. In 1045, Duncan's father Crínán of Dunkeld (a scion of the Scottish branch of the Cenel Conaill and Hereditary Abbot of Iona) was killed in a battle between two Scottish armies.

John of Fordun wrote that Duncan's wife fled Scotland, taking her children, including the future kings Malcolm III (Máel Coluim mac Donnchada) and Donald III (Domnall Bán mac Donnchada, or Donalbane) with her. On the basis of the author's beliefs as to whom Duncan married, various places of exile, Northumbria and Orkney among them, have been proposed. However, E. William Robertson proposes the safest place for Duncan's widow and her children would be with her or Duncan's kin and supporters in Atholl.

After the defeat of Crínán, Macbeth was evidently unchallenged. Marianus Scotus tells how the king made a pilgrimage to Rome in 1050, where, Marianus says, he gave money to the poor as if it were seed.

Karl Hundason
The Orkneyinga Saga says that a dispute between Thorfinn Sigurdsson, Earl of Orkney, and Karl Hundason began when Karl Hundason became "King of Scots" and claimed Caithness. The identity of Karl Hundason, unknown to Scots and Irish sources, has long been a matter of dispute, and it is far from clear that the matter is settled. The most common assumption is that Karl Hundason was an insulting byname (Old Norse for "Churl, son of a Dog") given to Macbeth by his enemies. William Forbes Skene's suggestion that he was Duncan I of Scotland has been revived in recent years. Lastly, the idea that the whole affair is a poetic invention has been raised.

According to the Orkneyinga Saga, in the war which followed, Thorfinn defeated Karl in a sea-battle off Deerness at the east end of the Orkney Mainland. Then Karl's nephew Mutatan or Muddan, appointed to rule Caithness for him, was killed at Thurso by Thorkel the Fosterer. Finally, a great battle at Tarbat Ness on the south side of the Dornoch Firth ended with Karl defeated and fugitive or dead. Thorfinn, the saga says, then marched south through Scotland as far as Fife, burning and plundering as he passed. A later note in the saga claims that Thorfinn won nine Scottish earldoms.

Whoever Karl Hundason may have been, it appears that the saga is reporting a local conflict with a Scots ruler of Moray or Ross: "[T]he whole narrative is consistent with the idea that the struggle of Thorfinn and Karl is a continuation of that which had been waged since the ninth century by the Orkney earls, notably Sigurd Rognvald's son, Ljot, and Sigurd the Stout, against the princes or mormaers of Moray, Sutherland, Ross, and Argyll, and that, in fine, Malcolm and Karl were mormaers of one of these four provinces."

Final years
In 1052, Macbeth was involved indirectly in the strife in the Kingdom of England between Godwin, Earl of Wessex and Edward the Confessor when he received a number of Norman exiles from England in his court, perhaps becoming the first king of Scots to introduce feudalism to Scotland. In 1054, Edward's Earl of Northumbria, Siward, led a very large invasion of Scotland (Duncan's widow and Malcolm's mother, Suthed, was Northumbrian-born; it is probable but not proven that there was a family tie between Siward and Malcolm). The campaign led to a bloody battle in which the Annals of Ulster report 3,000 Scots and 1,500 English dead, which can be taken as meaning very many on both sides, and one of Siward's sons and a son-in-law were among the dead. The result of the invasion was that one Máel Coluim, "son of the king of the Cumbrians" (not to be confused with Máel Coluim mac Donnchada, the future Malcolm III of Scotland) was restored to his throne, i.e., as ruler of the kingdom of Strathclyde. It may be that the events of 1054 are responsible for the idea, which appears in Shakespeare's play, that Malcolm III was put in power by the English.

Macbeth did not survive the English invasion, for he was defeated and mortally wounded or killed by the future Malcolm III ("King Malcolm Ceann-mor", son of Duncan I) on the north side of the Mounth in 1057, after retreating with his men over the Cairnamounth Pass to take his last stand at the battle at Lumphanan. The Prophecy of Berchán has it that he was wounded and died at Scone, sixty miles to the south, some days later. Macbeth's stepson Lulach mac Gille Coemgáin was installed as king soon after.

Unlike later writers, no near contemporary source remarks on Macbeth as a tyrant. The Duan Albanach, which survives in a form dating to the reign of Malcolm III, calls him "Mac Bethad the renowned". The Prophecy of Berchán, a verse history which purports to be a prophecy, describes him as "the generous king of Fortriu", and says: "The red, tall, golden-haired one, he will be pleasant to me among them; Scotland will be brimful west and east during the reign of the furious red one."

Life to legend


Macbeth's life, like that of King Duncan I, had progressed far towards legend by the end of the 14th century, when John of Fordun and Andrew of Wyntoun wrote their histories. Hector Boece, Walter Bower, and George Buchanan all contributed to the legend.

William Shakespeare's depiction and its influence
In Shakespeare's play, which is based mainly upon Raphael Holinshed's account, Macbeth is initially a valorous and loyal general to the elderly King Duncan, but is corrupted by narcissism and ambition. After being flattered by Three Witches and his own wife, Macbeth rationalizes that murdering his king and usurping the throne is the right thing to do. Ultimately, however, the prophecies of the witches prove misleading, and Macbeth alienates the nobility of Scotland and is defeated in battle by Prince Malcolm. As the King's armies disintegrate he encounters Macduff, a refugee nobleman whose wife and children had earlier been murdered by Macbeth's death squads. Upon realizing that he will die if he duels Macduff, Macbeth at first refuses to do so. But when Macduff explains that if Macbeth surrenders he will be subjected to ridicule by his former subjects, Macbeth vows, "I will not yield to kiss the ground before young Malcolm's feet, to be baited by a rabble's curse." He chooses instead to fight Macduff to the death. Macbeth is then slain and beheaded and the play ends with Prince Malcolm planning his coronation at Scone.

In a 1959 essay, Boris Pasternak compared Shakespeare's Macbeth to Raskolnikov, the protagonist of Crime and Punishment by Fyodor Dostoevsky. Pasternak explained that neither character begins as a murderer, but becomes one by a set of faulty rationalizations and a belief that they are above the law.

Lady Macbeth has gained fame along the way. In his 1865 novel Lady Macbeth of the Mtsensk District, Nikolai Leskov updated The Tragedy of Macbeth so that it takes place among the Imperial Russian merchant class. In an ironic twist, however, Leskov reverses the gender roles –  the woman is the murderer and the man is the instigator. Leskov's novel was the basis for Dmitri Shostakovich's 1936 opera of the same name.

Other depictions
In modern times, Dorothy Dunnett's novel King Hereafter aims to portray a historical Macbeth, but proposes that Macbeth and his rival and sometime ally Thorfinn of Orkney are one and the same (Thorfinn is his birth name and Macbeth his baptismal name). John Cargill Thompson's play Macbeth Speaks 1997, a reworking of his earlier Macbeth Speaks, is a monologue delivered by the historical Macbeth, aware of what Shakespeare and posterity have done to him. Scottish author Nigel Tranter based one of his historical novels, MacBeth the King, on the historical figure. David Greig's 2010 play Dunsinane takes Macbeth's downfall at Dunsinane as its starting point, with his just-ended reign portrayed as long and stable in contrast to Malcolm's. British Touring Shakespeare also produced in 2010 A Season Before the Tragedy of Macbeth by dramatist Gloria Carreño describing events from the murder of Lord Gillecomgain, Gruoch Macduff's first husband, to the fateful letter in the first act of William Shakespeare's tragedy

Billy Morrissette's 2001 film Scotland, PA re-imagines Shakespeare's story in 1970s Pennsylvania, as a struggle for control of a successful hamburger restaurant.

Macbeth also appears as a character in the television series Gargoyles with the Gargoyle Demona playing a crucial role in both his rise and fall as King of Scotland.