Nadezhda Durova



Nadezhda Andreyevna Durova (Наде́жда Андре́евна Ду́рова) (September 17, 1783 – March 21, 1866), also known as Alexander Durov, Alexander Sokolov and Alexander Andreevich Alexandrov, was a woman who, while disguised as a man, became a decorated soldier in the Russian cavalry during the Napoleonic wars. She was the first known female officer in the Russian military. Her memoir, The Cavalry Maiden, is a significant document of its era because few junior officers of the Napoleonic wars published their experiences, and because it is one of the earliest autobiographies in the Russian language.

Early life
Nadezhda Durova was born in an army camp at Kiev, the daughter of a Russian major. Her father placed her in the care of his soldiers after an incident that nearly killed her in infancy when her abusive mother threw her out the window of a moving carriage. As a small child, Durova learned all the standard marching commands and her favorite toy was an unloaded gun.

After her father retired from service, she continued playing with broken sabers and frightened her family by secretly taming a stallion that they considered unbreakable. In 1801, she married a Sarapul judge V.S. Chernov and gave birth to a son in 1803. Some accounts claim that she ran away from her home with a Cossack officer in 1805. In 1807, at the age of twenty-four she disguised herself as a boy, deserted her son and husband, and bringing her horse Alkid, enlisted in a Polish uhlan regiment under the alias Alexander Sokolov.

Durova was fiercely patriotic and considered army life to be freedom. She enjoyed animals and the outdoors. She felt she had little talent for traditional women's work. In her memoirs, she described an unhappy relationship with her mother, warmth toward her father, and nothing at all about her own married life.

Military service
She fought in the major Russian engagements of the 1806-1807 Prussian campaign. During two of those battles, she saved the lives of two fellow Russian soldiers. The first was an enlisted man who fell off his horse on the battlefield and suffered a concussion. She gave him first aid under heavy fire and brought him to safety as the army retreated around them. The second was an officer, unhorsed but uninjured. Three French dragoons were closing on him. She couched her lance and scattered the enemy. Then, against regulations, she let the officer borrow her own horse to hasten his retreat, which left her more vulnerable to attack.

During the campaign, she wrote a letter to her family explaining her disappearance. They used their connections in a desperate attempt to locate her. The rumor of an amazon in the army reached Tsar Alexander I, who took a personal interest. Durova's chain of command reported that her courage was peerless. Summoned to the palace at St. Petersburg, she impressed the Tsar so much that he awarded her the Cross of St. George and promoted her to lieutenant in a hussar unit (Mariupol Hussar Regiment). The story that there was the heroine in the army with the name Alexander Sokolov had become well known by that time. So the Tsar awarded her a new pseudonym, Alexandrov, based on his own name.

Durova's youthful appearance hurt her chances for promotion. In an era when Russian officers were expected to grow a mustache she looked like a boy of sixteen. She transferred away from the hussars to the Lithuania Ulan Regiment in order to avoid the colonel's daughter who had fallen in love with her. Durova saw action again during Napoleon's invasion of Russia in 1812. She fought in the Battle of Smolensk. During the Battle of Borodino a cannonball wounded her in the leg, yet she continued serving full duty for several days afterward until her command ordered her away to recuperate. She retired from the army in 1816 with the rank of stabs-rotmistr, the equivalent of captain.

A chance meeting introduced her to Aleksandr Pushkin some twenty years later. When he learned that she had kept a journal during her army service he encouraged her to publish it as a memoir. She added background about her early childhood but changed her age by seven years and eliminated all reference to her marriage. Durova published this as The Cavalry Maiden in 1836. Durova also wrote four novels and advocated for women's rights. Durova continued to wear male clothing for the rest of her life. She died in Yelabuga and was buried with full military honors.

Legacy


Durova's descendants seem to have inherited her talent for training animals. Nadezhda's great-grandsons Vladimir and Anatoly Durov were the famous Russian circus animal trainers and founders of the Durov Animal Theater in Moscow. Currently the Theater is run by another descendant of Nadezhda, Natalia Durova.

Durova's gender identity has been a source of recent interest. Her adoption of a masculine persona extended far enough that her son had to address her as "Dear Parent" when he asked her consent to get married. Some readers interpret her as a cisgender woman who adopted celibacy and male clothing to achieve professional freedom. Others see sexual overtones to her cross dressing. The text of her memoir conforms to the mores of the era and asserts chastity.

Besides being a rare example of a female soldier's military memoir, The Cavalry Maiden is one of the few sustained accounts of the Napoleonic wars to describe events from the perspective of a junior officer and one of the earliest autobiographical works in Russian literature.

Durova became a figure of some cultural interest in Eastern Europe but remained largely unknown to the English-speaking world until Mary Fleming Zirin's translation of The Cavalry Maiden in 1988. Durova is now a subject of university syllabi and scholarly publications in comparative literature, Russian history, and transgender studies.

Artistic works about Nadezhda Durova

 * Nadezhda Durova, an opera by Anatoly Bogatyrev.
 * A Long Time Ago, a play by Alexander Gladkov.
 * Hussar Ballad, an operetta by Tikhon Khrennikov
 * Hussar Ballad, a film directed by Eldar Ryazanov.
 * Monument to Nadezhda Durova in Yelabuga, sculptor F. F. Lyakh, architect S. P. Buritsky, 1993