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Dashiell Hammett
Born Samuel Dashiell Hammett
(1894-05-27)May 27, 1894
St. Mary's County, Maryland, United States
Died January 10, 1961(1961-01-10) (aged 66)
New York City, New York, United States
Nationality American
Occupation Novelist
Spouse(s) Josephine Dolan (1921–1937; divorced; 2 children)[1]
Partner(s) Lillian Hellman (1931–1961)
Children Mary Jane Hammett (b. 1921)
Josephine Hammett (b. 1926)

Samuel Dashiell Hammett (/ˈsæmjuːəl dəˈʃl ˈhæmət/; May 27, 1894 – January 10, 1961) was an American author of hard-boiled detective novels and short stories, screenwriter, and political activist. Among the enduring characters he created are Sam Spade (The Maltese Falcon), Nick and Nora Charles (The Thin Man), and the Continental Op (Red Harvest and The Dain Curse).

Hammett "is now widely regarded as one of the finest mystery writers of all time".[2] In his obituary in The New York Times, he was described as "the dean of the... 'hard-boiled' school of detective fiction."[3] Time magazine magazine included Hammett's 1929 novel Red Harvest on its list of the 100 best English-language novels published between 1923 and 2005.[4] His novels and stories also had a significant influence on films, including (but not limited to) the genres of private-eye/detective fiction, mystery thrillers and film-noir.

Early life[]

Hammett was born on a farm in Saint Mary's County, Maryland.[5] His parents were Richard Thomas Hammett and Anne Bond Dashiell; his mother belonged to an old Maryland family, whose name in French was De Chiel. He had an older sister, Aronia, and a younger brother, Richard Jr.[6] Known as Sam, Hammett was baptized a Catholic,[7] and grew up in Philadelphia and Baltimore.

He left school when he was 13 years old and held several jobs before working for the Pinkerton National Detective Agency. He served as an operative for Pinkerton from 1915 to February 1922, with time off to serve in World War I. While at Pinkerton he was sent to Butte, MT during the Union Strikes. The agency's role in union strike-breaking eventually left him disillusioned.[8]

Hammett enlisted in the Army in 1918 and served in the Motor Ambulance Corps. He was afflicted during that time with the Spanish flu and later contracted tuberculosis. He spent most of his time in the Army as a patient at Cushman Hospital in Tacoma, Washington, where he met a nurse, Josephine Dolan, whom he married on July 7, 1921 in San Francisco.[9]

Marriage and family[]

Hammett and Dolan had two daughters, Mary Jane (born 1921) and Josephine (born 1926).[10] Shortly after the birth of their second child, Health Services nurses informed Dolan that due to Hammett's TB, she and the children should not live with him full-time. Dolan rented a home in San Francisco, California, where Hammett would visit on weekends. The marriage soon fell apart, but he continued to financially support his wife and daughters with the income he made from his writing.[11]

Career and personal life[]

Lillian Hellman in 1935

Hammett was first published in 1922 in the magazine The Smart Set.[12] Known for the authenticity and realism of his writing, he drew on his experiences as a Pinkerton operative.[13] Hammett wrote most of his detective fiction while he was living in San Francisco in the 1920s; streets and other locations in San Francisco are frequently mentioned in his stories. He said that "All my characters were based on people I've known personally, or known about."[14] His novels were one of the first to use dialogue that sounded authentic to the era. "I distrust a man that says when. If he's got to be careful not to drink too much, it's because he's not to be trusted when he does". (The Maltese Falcon, 1929)

Raymond Chandler, often considered Hammett's successor, summarized his accomplishments in The Simple Art of Murder:

Hammett was the ace performer... He is said to have lacked heart; yet the story he himself thought the most of, The Glass Key, is the record of a man's devotion to a friend. He was spare, frugal, hard-boiled, but he did over and over again what only the best writers can ever do at all. He wrote scenes that seemed never to have been written before.

In 1929 and 1930, he was romantically involved with Nell Martin, a writer of short stories and several novels. He dedicated The Glass Key to her, and in turn, she dedicated her novel Lovers Should Marry to him.

In 1931, Hammett embarked on a 30-year affair with the playwright Lillian Hellman. Though he sporadically continued to work on material, he wrote his final novel in 1934, more than 25 years before his death. It is not certain why he moved away from fiction; Hellman speculated in a posthumous collection of Hammett's novels that "I think, but I only think, I know a few of the reasons: he wanted to do new kind of work, he was sick for many of those years and getting sicker."[15] In the 1940s, he and Hellman lived at her farm, Hardscrabble Farm, in Pleasantville, New York.[16]

Politics and service in World War II[]

Hammett devoted much of his life to left-wing activism. He was a strong anti-fascist throughout the 1930s and in 1937 joined the Communist Party.[17] He suspended his anti-fascist activities when, as a member (and in 1941 president) of the League of American Writers, he served on its Keep America Out of War Committee in January 1940 during the period of the Molotov–Ribbentrop Pact.[18]

Especially in Red Harvest, book reviewers have seen a Marxist critique of the social system. Hammett's biographer, Richard Layman, calls such interpretations "imaginative" but he nonetheless objects to them, since, among other reasons, there are no "masses of politically dispossessed people" in this novel. Herbert Ruhm has found out that Hammett's contemporary left wing media already viewed him with skepticism, "perhaps because his work suggests no solution: no mass-action ... no individual salvation ... no Emersonian reconciliation and transcendence".[19] In a letter of November 25, 1937, to his daughter Mary, Hammett referred to himself and others as "we reds". He confirmed that "in a democracy all men are supposed to have an equal say in their government" but added that "their equality need not go beyond that." He also found that "under socialism there is not necessarily [...] any leveling of incomes.".[20]

In early 1942, following the attack on Pearl Harbor, Hammett again enlisted in the United States Army. He was a disabled veteran of World War I, a victim of tuberculosis, and a Communist, but he pulled strings in order to be admitted.[citation needed] However, biographer Diane Johnson suggests that confusion over Hammett's forenames was the reason he was able to re-enlist.[21] He served as a sergeant in the Aleutian Islands, where he edited an Army newspaper entitled The Adakian. In 1943, while still a member of the military, he co-authored The Battle of the Aleutians with Cpl. Robert Colodny, under the direction of an infantry intelligence officer, Major Henry W. Hall. While in the Aleutians he developed emphysema.[citation needed]

After the war, Hammett returned to political activism, "but he played that role with less fervour than before." He was elected President of the Civil Rights Congress (CRC) on June 5, 1946, at a meeting held at the Hotel Diplomat in New York City, and "devoted the largest portion of his working time to CRC activities".[22]

In 1946, a bail fund was created by the CRC "to be used at the discretion of three trustees to gain the release of defendants arrested for political reasons."[23] Those three trustees were Hammett, who was chairman, Robert W. Dunn, and Frederick Vanderbilt Field, "millionaire Communist supporter."[23] On April 3, 1947, the CRC was identified as a Communist front group on the Attorney General's List of Subversive Organizations, as directed by U.S. President Harry S. Truman's Executive Order 9835.[24]

Imprisonment and the blacklist[]

The CRC's bail fund gained national attention on November 4, 1949, when bail in the amount of "$260,000 in negotiable government bonds" was posted "to free eleven men appealing their convictions under the Smith Act for criminal conspiracy to teach and advocate the overthrow of the United States government by force and violence." On July 2, 1951, their appeals exhausted, four of the convicted men fled rather than surrender themselves to Federal agents and begin serving their sentences. The United States District Court for the Southern District of New York issued subpoenas to the trustees of the CRC bail fund in an attempt to learn the whereabouts of the fugitives.[23]

Hammett testified on July 9, 1951, in front of United States District Court Judge Sylvester Ryan, facing questioning by Irving Saypol, the United States Attorney for the Southern District of New York, described by Time magazine as "the nation's number one legal hunter of top Communists". During the hearing, Hammett refused to provide the information the government wanted, specifically the list of contributors to the bail fund, "people who might be sympathetic enough to harbor the fugitives."[23] Instead, on every question regarding the CRC or the bail fund, Hammett declined to answer, citing the Fifth Amendment, refusing to even identify his signature or initials on CRC documents the government had subpoenaed. As soon as his testimony concluded, Hammett was found guilty of contempt of court.[23][25][26][27]

Hammett served time in a West Virginia federal penitentiary where, according to Lillian Hellman, he was assigned to clean toilets.[28][29] Hellman noted in her eulogy of Hammett that he submitted to prison rather than reveal the names of the contributors to the fund because "he had come to the conclusion that a man should keep his word."[30]

Later years and death[]

Hammett's grave, in Arlington National Cemetery, (section 12, site 508)

During the 1950s, Hammett was investigated by Congress. He testified on March 26, 1953, before the House Un-American Activities Committee about his own activities but refused to cooperate with the committee. No official action was taken, but his stand led to his being blacklisted, along with others who were blacklisted as a result of McCarthyism.

Hammett became an alcoholic before working in advertising[13] and alcoholism continued to trouble him until 1948, when he quit after his doctor's orders. However, years of heavy drinking and smoking worsened the tuberculosis he contracted in World War I, and then according to Hellman "jail had made a thin man thinner, a sick man sicker ... I knew he would now always be sick."[31]

Hellman wrote that during the 1950s Hammett became "a hermit", his decline evident in the clutter of his rented "ugly little country cottage", where "signs of sickness were all around: now the phonograph was unplayed, the typewriter untouched, the beloved foolish gadgets unopened in their packages."[32] He may have meant to start a new literary life with the novel Tulip but left it unfinished, perhaps because he was "just too ill to care, too worn out to listen to plans or read contracts. The fact of breathing, just breathing, took up all the days and nights."[33] Hammett could no longer live alone, and they both knew it, so he spent the last four years of his life with Hellman. "Not all of that time was easy, and some of it very bad", she wrote, but, "guessing death was not too far away, I would try for something to have afterwards."[34]


Hammett died in Lenox Hill Hospital, in New York City, on January 10, 1961, of lung cancer, diagnosed just two months before. As a veteran of two world wars, he was buried at Arlington National Cemetery.


Hammett's relationship with Lillian Hellman was portrayed in the film Julia. Jason Robards won an Oscar for his depiction of Hammett, and Jane Fonda was nominated for her portrayal of Lillian Hellman.

Hammett was portrayed semi-fictionally as the protagonist in the film Hammett.



  • Red Harvest (February 1, 1929)[35]
  • The Dain Curse (July 19, 1929)
  • The Maltese Falcon (February 14, 1930)
  • The Glass Key (April 24, 1931)
  • The Thin Man (January 8, 1934)

Short stories[]

  • "The Barber and His Wife", 1922
  • "The Parthian Shot", 1922
  • "The Great Lovers", 1922
  • "Immortality", 1922
  • "The Road Home", 1922
  • "The Master Mind", 1923
  • "The Sardonic Star of Tom Doody", 1923
  • "The Joke on Eoloise Morey", 1923
  • "Holiday", 1923
  • "The Crusader", 1923
  • "The Green Elephant", 1923
  • "The Dimple", 1923
  • "Laughing Masks", 1923
  • "Itchy", 1924
  • "Esther Entertains", 1924
  • "Another Perfect Crime", 1925
  • "Ber-Bulu", 1925
  • "The Advertising Man Writes a Love Letter", 1926–1930
  • "The House Dick", 1923–1926
  • "The Second-Story Angel", 1923–1926
  • "The Man Who Killed Dan Odams", 1923–1926
  • "Night Shots", 1923–1926
  • "Afraid of a Gun", 1923–1926
  • "Zigzags of Treachery", 1923–1926
  • "One Hour", 1923–1926
  • "Death on Pine Street", 1923–1926
  • "Tom, Dick, or Harry", 1923–1926
  • "The Assistant Murderer", 1923–1926
  • "The Gatewood Caper", 1923
  • "Nightmare Town", 1924
  • "The Tenth Clew", 1924
  • "The House in Turk Street", 1924
  • "The Girl with the Silver Eyes", 1924
  • "Dead Yellow Women", 1925
  • "The Gutting of Couffignal", 1925
  • "The Scorched Face", 1925
  • "Corkscrew", 1925
  • "The Whosis Kid", 1925
  • "Ruffian's Wife", 1925
  • "The Main Death", 1927
  • "The Big Knockover", 1927
  • "$106,000 Blood Money", 1927
  • "This King Business", 1928
  • "Fly Paper", 1929
  • "The Farewell Murder", 1930
  • "A Man Called Spade", 1932
  • "Too Many Have Lived", 1932
  • "They Can Only Hang You Once", 1932
  • "Two Sharp Knives", 1934
  • "His Brother's Keeper", 1934
  • "Night Shade", c. 1933
  • "This Little Pig", c. 1934
  • "A Man Called Thin", 1961
  • "The First Thin Man", n.d.
  • "An Inch and a Half of Glory", n.d. (posthumously published)


Short fiction[]

  • $106,000 Blood Money. Bestseller Mystery, 1943. A digest-sized paperback collection of two connected Continental Op stories, "The Big Knockover" and "$106,000 Blood Money".
  • Blood Money. Tower, 1943. Hardcover edition of the 1943 Bestseller Mystery title.
  • The Adventures of Sam Spade. Bestseller Mystery, 1944. Digest paperback collection of three Spade stories and four others. This and the following eight digest collections were compiled and edited by Frederic Dannay (one half of the writing partnership using the pseudonym Ellery Queen) with Hammett's permission. All of them were reprinted as Dell map-back paperbacks.
  • "A Man Called Spade and Other Stories". Dell, 1944. Digest paperback collection containing 3 Sam Spade stories and 2 other short stories.
  • The Continental Op. Bestseller Mystery, 1945. Digest paperback collection of four Continental Op stories.
  • The Adventures of Sam Spade. Tower, 1945. Hardcover edition of the digest paperback of the same title. The last of the digests to be reprinted in hardcover.
  • The Return of the Continental Op. Jonathan Press, 1945. Digest paperback collection of five further Continental Op stories.
  • Hammett Homicides. Bestseller Mysteries, 1946. Digest paperback collection of six stories, four of which feature the Continental Op.
  • Dead Yellow Women. Jonathan Press, 1947. DIgest paperback collection of six stories, four of which feature the Continental Op.
  • Nightmare Town. American Mercury, 1948. Digest paperback collection of four stories, two of which feature the Continental Op.
  • The Creeping Siamese. American Mercury, 1950. Digest paperback collection of six stories, three of which feature the Continental Op.
  • Woman in the Dark. Jonathan Press, 1951. Digest paperback collection of six stories, three of which feature the Continental Op, and the three-part novelette Woman in the Dark.
  • A Man Named Thin. Mercury Mystery, 1962. The last digest paperback, a collection of eight stories, one of which features the Continental Op.
  • The Big Knockover. Random House, 1966. An important collection, edited by Lillian Hellman, which helped revive Hammett's literary reputation, including the unfinished novel Tulip.
  • The Continental Op. Random House, 1974. Edited and with an introduction by Steven Marcus. Comprises 7 stories.
  • Woman in the Dark. Knopf, 1988. Hardcover collection of the three parts of the title novelette, with an introduction by Robert B. Parker.
  • Nightmare Town. Knopf, 1999. Hardcover collection, with contents different from the digest of the same title.
  • Crime Stories and Other Writings (Steven Marcus, ed.) (Library of America, 2001); ISBN 978-1-931082-00-6.
  • Lost Stories. Vince Emery Productions, 2005. Collection of 21 stories not been previously published in hardcover, including some previously unpublished stories, with several long commentaries on Hammett's career providing context for the stories. Introduction by Joe Gores.
  • The Hunter and Other Stories. Mysterious Press, 2014. Collection of previously unpublished or uncollected stories and screenplays, including a fragment of a second Sam Spade novel. Edited by Richard Layman and Julie M. Rivett.



  • "After the Thin Man", 1936
  • "Shadow of the Thin Man", 1941
  • "The Glass Key", 1942
  • "Watch on the Rhine", 1943

Other publications[]

  • Creeps by Night; Chills and Thrills. John Day, 1931. Anthology edited by Hammett.[37]
  • Secret Agent X-9 Book 1. David McKay, 1934. Collection of the comic strip written by Hammett and illustrated by Alex Raymond.
  • Secret Agent X-9 Book 2. David McKay, 1934. A second collection of the comic strip.
  • The Battle of the Aleutians. Field Force Headquarters, Adak, Alaska, 1944. Text by Hammett, with illustrations by Robert Colodny.
  • Watch on the Rhine. Screenplay of Hellman's play (in Best Film Plays 1943–44, Crown, 1945) and the screenplay of Casablanca.
  • Selected Letters of Dashiell Hammett: 1921–1960. Counterpoint Press, 2001. Edited by Richard Layman and Julie M. Rivett.
  • Return of the Thin Man. Mysterious Press 2012. Screen treatments of After the Thin Man and Another Thin Man, edited by Richard Layman and Julie M. Rivett.

Unpublished stories[]

In 2011, magazine editor Andrew Gulli found fifteen previously unknown short stories by Dashiell Hammett in the archives of the Harry Ransom Center at the University of Texas in Austin.[38]


  1. Profile,; accessed March 1, 2016.
  2. Layman, Richard (1981). Shadow Man: The Life of Dashiell Hammett. Harcourt Brace Jovanovich. p. 239. ISBN 0-15-181459-7. 
  3. Layman, Richard; Bruccoli, Matthew J. (2002). Hardboiled Mystery Writers: A Literary Reference. Carroll & Graf. p. 225. ISBN 0-7867-1029-2. 
  4. Grossman, Lev; Lacayo, Richard (October 31, 2005). "TIME's Critics Pick the 100 Best Novels 1923 to the Present". Time magazine. Retrieved October 19, 2008. 
  5. Shoemaker, Sandy. "Tobacco to Tomcats: St. Mary's County since the Revolution". StreamLine Enterprises, Leonardtown, Maryland. p. 160. Archived from the original on 2008-12-10. Retrieved 2008-01-01. 
  6. 1910 United States Federal Census
  7. Hammett, Dashiell and Vince Emery. Lost Stories. San Francisco: Vince Emery Productions, 2005, p. 197.
  8. Heise, Thomas, "'Going Blood-Simple Like the Natives': Contagious Urban Spaces and Modern Power in Dashiell Hammett's Red Harvest" (paid access only), Modern Fiction Studies 51, no. 3 (Fall 2005), p. 506. The Project MUSE access provides a no-charge excerpt but the excerpt does not cover the cited information.
  9. "California, San Francisco County Records, 1824-1997," database with images, FamilySearch ( : 20 May 2014), Marriages > image 84 of 233; San Francisco Public Library.
  10. Layman, Richard with Rivett, Julie M. (2001). "Review" of Selected Letters of Dashiell Hammett 1921-1960; retrieved June 2, 2009.
  11. Gores in Emery, editor, pp. 240 and 336.
  12. "Dashiell Hammett – About Dashiell Hammett". PBS. December 30, 2003. Retrieved June 11, 2013. 
  13. 13.0 13.1 Gores in Emery, ed., pp. 18–24.
  14. Chandler, Nightmare Town, p. ix; ISBN 0-375-70102-8/ISBN 978-0-375-70102-3.
  15. Hammett, Dashiell (1980). Five Complete Novels. New York: Avenel Books. 
  16. U.S., World War II Draft Registration Cards, 1942
  17. "FAQ". Archived from the original on October 26, 2012. Retrieved July 19, 2012. 
  18. Folsom, Franklin (1994). Days of Anger, Days of Hope. University Press of Colorado. ISBN 0-87081-332-3.
  19. Nolan, William F. 1978 2nd printing. Dashiell Hammett A Casebook, with an introduction by Philip Durham. 1969. Santa Barbara, McNally&Loftin, p. 6.
  20. Layman, Richard (ed.) 2001. With Rivett, Julie M., Introduction by Josephine Hammett Marshall. Selected Letters of Dashiell Hammett 1921 - 1960 ISBN 1-58243-081-0, p. 142f
  21. Johnson, D. (1983) Dashiell Hammett: A Life
  22. Layman, Richard (1981). Shadow Man: The Life of Dashiell Hammett. Harcourt Brace Jovanovich. p. 206. ISBN 0-15-181459-7. 
  23. 23.0 23.1 23.2 23.3 23.4 Shadow Man: The Life of Dashiell Hammett, pp. 219–223.
  24. Nemy, Enid (February 7, 2000). "Frederick Vanderbilt Field, Wealthy Leftist, Dies at 94". New York Times.,%20Enid. Retrieved November 27, 2007. 
  25. Metress, Christopher (1994). The Critical Response to Dashiell Hammett. Greenwood Press. 
  26. Johnson, Diane (1983). Dashiell Hammett, a Life. Random House. 
  27. Liukkonen, Petri. "Dashiell Hammett profile". Finland: Kuusankoski Public Library. Archived from the original on July 16, 2006. 
  28. Hellman, Lilian (1962). Introduction to Dashiell Hammett, The Big Knockover: Selected Stories and Short Novels. Houghton Mifflin. (Published posthumously; Hammett had turned down offers to republish his stories, and Hellman published them only after his death, as a tribute.) pp. vii–viii,
  29. Hellman, Lilian. Introduction to The Big Knockover. pp. xi–xii. Hellman wrote that there began an "irritating farce" that Hammett told her he was cleaning bathrooms "better than [she] had ever done" and "learned to take pride in the work", which she called his form of boasting, or humor, "to make fun of trouble or pain."
  30. Johnson, Diane (1987). Dashiell Hammett: A Life. Fawcett Columbine. Cited in King Laurie R. (2010). Afterword. Locked Rooms. Random House. p. 403.
  31. Introduction to The Big Knockover, pp. xi, xii.
  32. Introduction to The Big Knockover, p. xx.
  33. Hellman's introduction to The Big Knockover, p. viii (Hellman speculated that Hammett turned down republishing offers because he hoped for a fresh start and "didn't want the old work to get in the way.")
  34. Introduction to The Big Knockover, p. xxvi.
  35. "Red Harvest (publishing information)". Project Gutenberg. Retrieved July 2, 2017. 
  36. All the novels except The thin man were originally serialized in three, four, or five parts in various magazines. See Checklist of Dashiell Hammett Fiction.
  37. Bleiler, Everett (1948). The Checklist of Fantastic Literature. Chicago: Shasta Publishers. p. 140. 
  38. Harris, Paul (February 4, 2011). "Dashiell Hammett's lost works found in Texas". The Guardian. London. 


  • Mundell, E. H. (1968). A List of the Original Appearances of Dashiell Hammett's Magazine Work. Kent State University.
  • Layman, Richard. (1979). Dashiell Hammett: A Descriptive Bibliography. Pittsburgh Series in Bibliography, University of Pittsburgh Press.
  • Lovisi, Gary (1994). Dashiell Hammett and Raymond Chandler: A Checklist and Bibliography of Their Paperback Appearances. Gryphon Books.

Biography and criticism[]

  • Beunat, Natalie (1997). Dashiell Hammett: Parcours d'une oeuvre. Amiens: Encrage Edition.
  • Braun, Martin (1977). Prototypen der amerikanischen Kriminalerzählung: Die Romane und Kurzgeschichten Carroll John Daly und Dashiell Hammett. Frankfurt: Lang.
  • Duggan, Eddie (2000) "Dashiell Hammett: Detective, Writer". pp. 101–114. 
  • Fechheimer, David, ed. (1975). City of San Francisco: Dashiell Hammett Issue. 4 November 4, 1975. San Francisco: City Publishing.
  • Gale, Robert L. (2000). A Dashiell Hammett Companion. Westport, Connecticut: Greenwood Press.
  • Gregory, Sinda (1985). Private Investigations: The Novels of Dashiell Hammett. Carbondale: Southern Illinois University Press.
  • Hammett, Jo (2001). Dashiell Hammett: A Daughter Remembers. Carroll and Graf.
  • Hellman, Lillian. An Unfinished Woman. Pentimento. Scoundrel Time. Memoirs containing much material about Hammett.
  • Herron, Don (2009). The Dashiell Hammett Tour: Thirtieth Anniversary Guidebook. San Francisco: Vince Emery Productions.
  • Jaemmrich, Armin (2016). The American Noir - A Rehabilitation, ISBN 978-1523664405
  • Johnson, Diane (1983). Dashiell Hammett: A Life. New York: Random House.
  • Layman, Richard (1981). Shadow Man: The Life of Dashiell Hammett. New York: Harcourt Brace Jovanovich.
  • Layman, Richard (2000). Literary Masters. Vol. 3, Dashiell Hammett. Detroit: Gale Group.
  • Layman, Richard, ed. (2005). Clues: A Journal of Detection. Theme issue, Dashiell Hammett. Winter 2005. Washington D.C.: Heldref Publications.
  • Lopez, Jesus Angel Gonzalez (2004). La Narrativa Popular de Dashiell Hammett: Pulps, Cine, y Comics. Biblioteca Javier Coy d'Estudis Nord-Americans, Universitat de Valencia.
  • Marling, William (1983). Dashiell Hammett. New York: Twayne.
  • Maurin, Maria Jose Alvarez (1994). Claves Para un Enigma: La Poetica del Misterio en la Narrativa de Dashiell Hammett. Universidad de Leon.
  • Mellon, Joan (1996). Hellman and Hammett. New York: Harper Collins.
  • Metress, Christopher, ed. (1994). The Critical Response to Dashiell Hammett. Westport, Connecticut: Greenwood Press.
  • Nolan, William F. (1969). Dashiell Hammett: A Casebook. Santa Barbara: McNally & Lofin.
  • Nolan, William F. (1983). Hammett: A Life at the Edge. New York: Congdon & Weed.
  • Panek, Leroy Lad (2004). Reading Early Hammett: A Critical Study of the Fiction Prior to The Maltese Falcon. Jefferson, North Carolina: McFarland.
  • Symons, Julian (1985). Dashiell Hammett. New York: Harcourt Brace Jovanovich.
  • Thompson, George J. "Rhino" (2007). Hammett's Moral Vision. San Francisco: Vince Emery Productions.
  • Ward, Nathan (2015). The Lost Detective: Becoming Dashiell Hammett. New York: Bloomsbury USA.

External links[]

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